parts / movement information and albums that contain performances of Soir paien, for voice, flute & on Philippe Gaubert. Soir paien, for voice, flute & piano. Fast secure delivery. P. Gaubert – Published by Enoch. Soprano: Jayne West Flute: Fenwick Smith – Piano: Sally Pinkas –

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You may have already requested this item. Please select Ok if you would like to proceed with this request anyway. The Trio sonata combines these two elements.

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Pendant qu’un roseau pure module un lent accord, While a pure reed modulates a lingering chord. Indeed, he wanted his music to sound improvized even though it was meticulously written out. Find a copy in the library Finding libraries that hold this item In Soir paien he takes a poem by Albert Samain a French Symbolist poetwhich describes a scene out of Greek mythology – the rage of the day – and sets a languid mood of a romantic moonlit rendezvous.

The keyboardist also played what is called figured bass or thoroughbass, imporvising the underlying chord structure much like paifn jazz pianist would today. Linked Data More info about Linked Data. Sunday, January 30, 2: Finding soirr that hold this item The name field is required. View original text without footnotes 1 Tournemire: Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation.

Weston Library concert program

Each movement is crafted around wonderfully melodic themes, and Gyrowetz, like Haydn and Mozart, gives the cello more of a status of an equal solo instrument as opposed to limiting it to a bass continuo part, raising the work to a true trio. In any case, the E-flat sonata is a welcomed contribution of very good flute music from Bach’s time and we are happy to play it. Please create a new list with a new name; move some items to a new or existing list; or delete some items.


Your request to send this item has been completed. FromDebussy worked in-residence for Madame Nadejda von Meck, Tchaikovsky’s patroness, teaching her children piano and acting as accompanist in all vocal recitals of her daughter, as well as playing piano in a trio with a violinst and cellist.

Don’t have an account? It seems to be the first chamber work which he composed, yet remained unpublished until the late 20 th century.

The E-mail message field is required. Please verify that you are not a robot. Philippe Gaubert ; Albert Samain Find more information about: Create lists, bibliographies and reviews: He died from cancer in Paris in while his beloved city was being bombarded by the last German offensive of solr war.

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Soir Païen (Gaubert, Philippe)

Available translations, adaptations, and transliterations if applicable: The Divertissement in A major, op. He reached musical success early and was extremely popular in Paris, Naples, London and Vienna but by the time he died, he was all but forgotten.

Through the use of modal, pentatonic and whole-tone scales, augmented and unresolved chords and a lack of a spir tonality, his music had a dreamy quality – creating a mood or atmosphere in sound – much like the Impressionist paintings of the day were “impressons” of the objects painted.


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Philippe Gaubert – Soir paien, for voice, flute and piano – Classical Archives

Taking full advantage of this nebulous hour, women talk, leaning their urns on the edge of the spring, and steers, yoked together, quit the furrows. And the first star has shone upon the sea. Originally written for soprano, piano and flute obbligatto, this piece works very well with a cello adaptation of the flute part giving it an added richness in tone. And the yoked oxen trace their furrows. To reprint and distribute this author’s work for concert programs, CD booklets, etc.

His music has elegant melodic lines and rich harmonic language. The first movement, instead of the usual sonata form of an exposition, development and recapitulation, is more episodic and free-flowing. Write a review Rate this item: The third movement is in ABA form, beginning with a slow, melodic Andantino, going into an Allegro section, then returning to the Andantino to close the movement.

Text added to the website: The last years of his life were difficult years to compose because of an eight year battle with cancer and the horrors WWI. Please provide the translator’s name when contacting us. She recognized Debussy’s considerable talent and sent him to the Paris Conservatory when he was just 10 years old and where he continued to study piano and composition for another ten years.