Find composition details, parts / movement information and albums that contain performances of Anthemes II, for violin & on AllMusic. Pierre Boulez. Pierre Boulez. Anthèmes 2. Max/MSP (OSX). The setup and the execution of the electroacoustic part of this work requires a Computer Music. This paper reports on the reconstruction from the score of the software for Pierre Boulez’ Anthèmes 2, for violin and live-electronics. This increasingly popular.
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It is free to wander throughout the possibilities that the electronic effects entail.
Anthemes II, for violin &… | Details | AllMusic
Like the work of Bach or Brahmshis music does not lose its composure or allow for the occasional outburst. Boulez creates two similarly distinct sonic worlds in the work: Soloperformed by Julie-Anne Derome. Both works double bkulez soloist’s sound by technological means so that the performer plays against himself as one’s own accompanist. This page was last edited on 15 Decemberat The piece begins with a seven-tone motive, and trill on the note D: Bouoez short works by several composers.
The general form is one of episodes that continue only as long as is required in order to display another soundscape, dropping whatever has been set in motion once it has been established. Disques du Solstice, Mikka and Other Antjemes Love Songs. A final “col legno battuto” ends the piece in Boulez’s characteristic witty humour, a gesture of “That’s enough for now!
Anthemes II, for violin & electronics
Though the work is clearly virtuosic, the cadenza-like moments do not generate a great deal of heat. Share on facebook twitter tumblr.
It is music with an iron will, free of yearning. A Garland for Dr. Compositions by Pierre Boulez 20th-century classical music Serial compositions Music with dedications.
Bibliography [ edit ] Boulez, Pierre. Unlike the music of Webernwhich was Boulez’s artistic point of departure from early on in his career, there is none of the genius’ stereotypical dissatisfaction or angst. This work furthers his legacy that has remained small but consistently excellent.
The latter work is more immediate and perhaps more inventive. Expansion and revision of earlier works is common in Boulez’s compositional process; see also Structures. Nonetheless, it is a valuable listen, truly beautiful and in no way manipulative. Drinking Hanging Out In Love. The last section is the longest, culminating in a dialogue between four distinct “characters”, and the piece closes with the two “languages” gradually melding into one as the intervals finally center around the note D and close into a trill, and then a single harmonic.
There is no sense of a cathartic rounding up of all the preceding elements in order to create a final summation that is transcendent. Sexy Trippy All Moods. Rainy Day Relaxation Road Trip. Recordings [ edit ] Arditti Quartet: